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We are sifting through my modes of perception  Read More

During a conversation in yesterday’s preview, a visitor asked me how have I grown from this process...
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When I read through my scribbled notes from June, from when I was taking part in Xavier and Scarlet’s development workshop in Venice for Title in Process, 2015  up until now, as we are developing the work in Sydney, I encounter questions that I continue to ask myself – not to find their answers, but to ask questions as a continuous mode of production: Read More

A + A

Today is first open rehearsal. About 30 people come. One of them is a child. For the purposes of this report I'll call him A.

The score is an hour and a half. We each have a shift. Mine: first 30 minutes be a visitor, last hour be in the score. So, I watch A. secretly, from the edges of the black carpet. I wonder, how is he experiencing the nakedness?  Read More

Rehearsal Day 6, 7

I loved getting a first impression of the exhibition - the bodies keep rearranging themselves at different speeds and in different groupings and positions so that you are constantly taken by surprise at where and in what kind of state and grouping they are. 

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Day one of week two. But last week was only a half week. This week is 6 days, last week was four. Each week separated by a one day weekend. Anyway. I've read back over it and I promise the next bit is better.  Read More

On 29 October, 2015, 18 Australian performers came together for the first time to begin rehearsals for Project 31 Temporary Title, 2015 with Xavier Le Roy and Scarlet Yu at Carriageworks. One of the Australian performers, Matthew Day, reflects on his experiences. Read More