Project 03
Gilbert &

Project Summary

For Project 3 in 1973, Gilbert & George presented The Singing Sculpture in both Sydney and Melbourne, merging sculpture and performance and bringing art into everyday life. With their faces and hands painted with a mix of bronze-coloured metallic powder and Vaseline, and a table as their plinth, they sang along to the song of two Depression-era tramps, ‘Underneath the arches’, slowly repeating a series of gestures and circling mechanically like figures inside a music box. Gilbert & George are now among the most famous living British artists, known for their signature billboard-sized pictures in bright neon colours, showing them together, suited or naked, among a kaleidoscope of images and symbols. The Singing Sculpture is now recognised as the art piece that launched their career. It embodied and communicated their idiosyncratic personae and the concept of ‘living sculpture’ that has informed their lives and art over 40 years.

Gilbert & George met in the 1960s as students at St Martin’s School of Art where they began to explore radical ideas such as portable sculpture and in 1969 they removed the mediation of the art object entirely, shifting focus to the actions and rituals of their daily lives as ‘Living Sculpture’. Wearing timeless, tailored suits and neckties, they adopted a posture of genteel decorum, enacted through a flow of polite interactions and formal modes of correspondence. They invited audiences to Lecture Sculpture and Meal Sculpture, or to view Walking Sculpture and Magazine Sculpture.

The Singing Sculpture visualised Gilbert & George in their new role as an art object. First exhibited in a variety of guises at London art schools, music events and festivals, wherever they could find it a home, after a number of guerrilla presentations the sculpture began to gain momentum and they were invited to travel and present it overseas. The Singing Sculpture was shown 26 times between 1969 and 1972, across Germany, cities in Italy, Belgium, Norway and Switzerland, and at the newly opened Sonnabend Gallery in New York, before the final presentations of the piece in Australia in 1973.

Crowds flocked to see The Singing Sculpture in Australia, many staying to watch the work for hours at a time. In Sydney, ‘Underneath the arches’ was repeated 112 times a day, presented for five hours each day over six days in the entrance court of the Art Gallery of New South Wales, then for five hours a day over five days at Melbourne's National Gallery of Victoria. As part of the environment for the work, Gilbert & George also displayed large ‘charcoal-on-paper sculptures’, across the gallery walls.

Gilbert & George

The Singing Sculpture
The Shrubberies Number 1
The Shrubberies Number 2

16 – 21 August 1973
Art Gallery of New South Wales, Sydney

29 August – 2 September 1973
National Gallery of Victoria, Melbourne



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VideoBack to top

Interview with Gilbert & George, 2010 - Part 1

Interview with Gilbert & George, 2010 - Part 2

Interview with Gilbert & George, 2010 - Part 3

Interview with Gilbert & George, 2010 - Part 4

Gilbert & GeorgeBack to top

Over four decades ago, Gilbert & George adopted the identity of ‘living sculptures’, becoming not only creators, but the art itself. The duo have worked across a variety of media throughout their career. Underpinned by their core beliefs of ‘Art for Life’s Sake’ and ‘Art for All’, they refer to all their work as sculpture. Today Gilbert & George are among the most famous living British Artists knows for their signature billboard-sized photomontages, which question conventions and taboos.

Education KitBack to top

This Education Kit shares insights into the practice of Gilbert & George, the concept of the ‘living sculpture’ and the historical context of performance art.

LEARNING STAGES: Senior secondary (Stages 5-6) | Tertiary

CONTENTS: Introduction | Artists’ bio | Project | World events 1973 | Theme: performance art | Art Gallery of NSW Collection connections | Selected references | Issues for discussion